PAINTINGS
Drawing has been an essential part of my life since childhood.
Before Bead Impact Art emerged, I returned to painting as an independent field of image, surface, colour, and atmosphere. From 2016, I began a deeper personal exploration of painting, working with landscape, silence, space, and inner states through the painted surface.
2016
These paintings belong to the period before the bead entered the image as a material act. They show the image as a field in itself — a place where feeling, distance, memory, and presence could be held through colour and form.
2020
Painting became an important stage on the path toward Bead Impact Art. It allowed me to understand the field before the bead crossed into it.
2021
2021
Prosperity in Dubai
100x100 cm
2022
A warm night.
100x80 cm
2022
Mischief in Stockholm.
2023
Harmony of Hearts
40 x 60 cm
2023
That was.
100 x 80 cm
2023
Three Sketches. Return to the Center.
2023
In Space.
150 x 120 cm
2024
In Space 2.
40 x 60 cm
2024
Silence
50 x 70 cm
2025
Whisper
30 x 40 cm
2025
Whisper 2.
100 x 80 cm
2025
Flows
100 x 80 cm
2025
TASTE OF FREEDOM
70 x 90 cm
September 2025
Taste of Freedom is the final work in this stage. Painting and bead embroidery meet on the same surface: the image still exists, and the beadwork still carries a decorative function, but the search has reached its limit.
After this work, the bead no longer had to serve the image as a tree, a flower, or an ornament. It could separate from representation and become a material act in itself. This work closes the period before Bead Impact Art.
From the Dialogue to the Codex
This act enters an existing field without erasing its history, repairing its losses, or replacing what was already present.
One transparent bead is sewn into the surviving woven surface and offers water to the Dragon. Through this act, the work becomes part of Dialogue with Image or Existing Field, one of the seven doors of the Codex of Bead Impact Art.
The existing meaning remains intact. A new real act enters. The dialogue continues.