PAINTINGS
Drawing has been an essential part of my life since childhood.
Before Bead Impact Art emerged, I returned to painting as an independent medium of image, surface, colour, and atmosphere. From 2016, I began a deeper personal exploration of painting, working with landscape, silence, space, and inner states through the painted surface.

2016
These paintings belong to the period before the bead entered painting as a material element. They show painting as a visual space in which feeling, distance, memory, and presence could be held through colour and form.

2020
Painting became an important stage on the path toward Bead Impact Art. It allowed me to understand image, colour, and surface before the bead entered painting as a material element.

2021

2021

Prosperity in Dubai
100x100 cm
2022

A warm night.
100x80 cm
2022

Mischief in Stockholm.
2023

Harmony of Hearts
40 x 60 cm
2023

That was.
100 x 80 cm
2023



Three Sketches. Return to the Center.
2023

In Space.
150 x 120 cm
2024

In Space 2.
40 x 60 cm
2024

Silence
50 x 70 cm
2025

Whisper
30 x 40 cm
2025

Whisper 2.
100 x 80 cm
2025

Flows
100 x 80 cm
2025

TASTE OF FREEDOM
70 x 90 cm
September 2025
Taste of Freedom is the final work in this stage. Painting and beads meet within the same work: the image still exists, and the beads still carry a decorative function, but the search has reached its limit.


After this work, the bead no longer had to serve the image as a tree, a flower, or an ornament. It could separate from representation and move toward the condition that would later define Bead Impact Art: a real human act fixed in matter through a bead. This work closes the period before Bead Impact Art.